West Side Story: A Disappointment in 2 Acts
I am a die hard fan of classic Broadway musicals. Last year I saw South Pacific at Lincoln Center,
and from the first note played by the orchestra I was transported. The staging, the casting, the costumes...all in flawless tribute to an American classic.
When I heard West Side Story was coming back to Broadway I ordered tickets immediately. In fact, to insure the best possible seats I bought premium tickets. I was in the sixth row on the aisle with an unobstructed view of the stage. I settled into my seat and realized that Arthur Laurents was sitting right behind me. In the seat directly behind me. This man wrote West Side Story in the 1950s. He is responsible for Gypsy, The Way We Were. It was a thrill to meet him. In fact, I had seen a piece on him that ran on CBS Sunday Morning. He was talking about his career and his passion for this project. They shot film of him addressing the cast of this production, telling them that this is a story about sex, passion, heat. For me, this was surely the most anticipated production of the theater season.
The curtain went up and there were Riff and the boys. That opening number....When you're a jet you're a jet all the way... And with that I turned to my friend and said "Uh oh", which was the last thing we could say until Mr. Laurents got up at intermission.
To be fair, Karen Olivo as Anita was spectacular. She did Rita Moreno proud. (Speaking of which, when every talk show appearance for the show is Anita's big number, you know there's a problem.) And Josefina Scaglione, an Argentine native who landed the role of Maria after she was spotted on a YouTube video, is tremendously talented. I'll even give props to Matthew Cavenaugh as Tony. Beyond that, this was like a summer stock production in Provincetown. To loosely quote a friend, "Tony and Riff reminded me of the two guys from Will and Grace."
Recommendation? Pass. Rent the movie.


